Friday, May 29, 2020

Queer history and why women's life stories matter







Thinking about queer history,

and why women’s life stories matter

by Jane Traies

In 2017 we celebrated 50 years since the Sexual Offences Act 1967 passed into law and homosexual acts between men were – at least in part – decriminalised. Last year, 2019, we celebrated the 50th anniversary of the Stonewall riots in New York, which are widely regarded as the birth of the gay rights movement.

And, when I say ‘we’ are celebrating these events, I don’t just mean the LGBTQ community. A strange and wonderful thing has happened in much of Europe and the US in the 21st century: our queer history has suddenly gone mainstream Everyone wants a bit of it. Everyone wants to be part of the cool, liberal, equalities-supporting society we have recently become. And that’s great.

But, as the story of half a century of progress and liberation begins to harden into a generally-accepted historical narrative, it is important not to let LGBTQ history become homogenised, as if the story was the same for all of us. It wasn’t; and this is why individual life stories remain an important tool in the proper understanding of our shared past. 

Lesbian relationships were never illegal, and so do not figure much in the story of 1967. Neither does the story of that iconic night outside the Stonewall Bar give lesbians much air-time. In fact, they don’t get much of a mention in many gay histories. They were always there, of course, and subject to the same social stigma as gay men; but their lives – like those of so many other women at the time – were ‘hidden from history’ then, and have to some extent continued to be so. My oral history research with lesbians born before 1950 has revealed some of the ways in which, in the second half of the 20th century, the lives of lesbian and bisexual women differed from those of gay men. We were never illegal – but we were second-class citizens nonetheless, in many ways.

The stories I collect offer a forceful reminder that the experience of stigma and discrimination is always gendered. For the women who tell me those stories, homophobia was always inflected by the institutionalised sexism of the time. In 1960s Britain a lesbian faced not only the opprobrium of society towards homosexuality in general, but also all the barriers to women’s equality shared by her heterosexual sisters. A woman without a man was still at a serious social and economic disadvantage, and that disadvantage was doubled for lesbian couples, where both partners shared the female fate of low incomes and limited job prospects. Equal pay and equal opportunities were still a decade away, and there was no redress against unfair dismissal on the grounds of either gender or sexual orientation. In 1967, women could not obtain mortgages, or take out hire purchase agreements unless a male relative signed the contract. Married women’s incomes were still taxed as if they were their husbands’ property. A lesbian was considered an ‘unfit’ mother who could – and often did – lose custody of her children if her sexual orientation was discovered. 

In the second half of the twentieth century, then, lesbians still faced the ‘double whammy’ of homophobia and institutionalised sexism. Their experiences remind us that a truly intersectional and nuanced view of history is one that takes into account not only LGBTQ people’s collective difference from the mainstream, but also the diversity of experience within the LGBTQ ‘community’. Personal histories are a key tool in this project: they remind us of the individual humanity of every teller and of the intersecting influences that make each of us, straight or gay, unique. 

So that’s why I do what I do.

Jane Traies


https://www.amazon.co.uk/Lives-Older-Lesbians-Sexuality-Identity/dp/1349717649

Now You See Me: Lesbian Life Stories: Amazon.co.uk: Jane Traies, Jane Traies: Books http://ow.ly/U1V830qKE3F




Tuesday, May 26, 2020

Odd combinations are always interesting...



Welcome to Weird Sisters, Ink. 

We’re a group of creators with stories to tell. They’re niche, unique, under-the-radar. Some of them are fact, some of them fiction. I hope they’ll amuse you. 

Our plan for this blog is to showcase the writing of the group. We originally got together on a sunshiney afternoon, long before such a thing as social distancing had gloomed over the horizon, when we were all attending an event called 'The Coast Is Queer'. A collection of speakers and authors from the LGBTQ community in Brighton, England were celebrating and discussing writing and publishing. 

As we listened to the bright young things up there on the platform, we collectively noticed the yawning gulf opening up between the generations. We grew up devouring printed matter and solid books, writing with real pens and hammering out m.s. on ancient typewriters; thus acquiring skills which simply have no relevance in today's online world. 

But we also marched and campaigned and generally were coming 'out' long before it was safe to do so. We agreed, over coffee and cakes, that we did have something to offer after all; and stories to tell that are perhaps worth listening to.  

However, without a TikTok account, an Instagram face filter and a number of lipfilling injections, we all struggle to get our work out to the public. Publishers don't publish older lesbians' or bi-women's writing, unless perhaps you look like Gentleman Jack. Indeed, a great deal of the influential work of earlier women's fiction has gone out of print altogether.

So, in the future, we will showcase the works of us all.  And we are:

Jane Traies, who travels round the UK collecting stories from marginalised lesbians (older women, the neurodiverse, asylum seekers). Jane’s been interviewed by the BBC for Women’s Hour and her work is making a real difference to LGBTQ public perception. Her books Now You See Me and The Lives of Older Lesbians are fascinating reads.

Maggie Redding, who writes about the lives of girls and women with humour and insight. She has lived a colourful, brave life and brings to her semi-autobiographical novels clarity of vision and a powerful simplicity of style. 

Rohase Piercy, known for possibly the earliest Queer re-telling of Conan Doyle’s classic duo Holmes and Watson, likes to home in on well-known tales and re-tell them from unusual perspectives. Thus, for example, she has told Ann de Bourgh's version of Pride and Prejudice in Before Elizabeth and given us Constance Wilde's confidential diary of her time with Oscar Wilde in The Coward Does It With A Kiss.

Sylvia Daly is a natural lyricist, known to place satirical poems in unexpected places, a bit like a versifying Banksy. She's kindly contributing her prize-winning ballads and lyrics as we go along.

And I'll contribute as we go along - Charlie Raven is my pen name - and I also edit and work as a hypnotherapist. 

Odd combinations are always interesting, you might say.



Catching UP

We're delighted to share this generous extract from Rohase Piercy's upcoming short story collection. This one's from Catching U...